Saturday, March 19, 2011

Become a Writer at Cor Theatro!

Are you interested in theatre?

Become a writer at the Cor Theatro blog by emailing cortheatro@live.com and telling us so!



We'd love to have you write about acting, lighting and electrics, staging, stage management, rigging, special effects, musicianship, or anything theatrical!

So what are you waiting for?

Saturday, March 5, 2011

Top 10 Places to Rent Lights From

Interested in becoming a writer at Cor Theatro? Email cortheatro@live.com


All things need light. Without us lighting techs, the stage would be dark. So you want a well lit stage, but the auditorium you're performing at has a less then perfect supply of lights. Maybe a few Fresnels, and a handful of Source 4s.

That is simply not enough for your show!
So, you do what all lighting techs do.
Rent.

But who to trust? There are so many places to rent lights from, and many charge fees and other hidden charges. 

These are the companies I've worked with and have given me positive experiences:

  • SLD has a good supply of lights and accessories to go with them.
  • They've got great prices!
  • You can pick up all the supplies in NYC.
What should I rent?
  1. Six 6" Fresnels= $90
  2. Ten Source 4 PARs=$200
  3. Four Scoops=$60
  4. Gels and frames=$50
And with that, you've got yourself a well lit, mid-sized stage.

And, of course, SLD offers consoles to control the lights, as well as dimmers.

  • Angstrom is known for having well serviced equipment, and a wide collection of gobos and effect lighting
  • Last I checked, they offer delivery within a certain radius
What should I get?
  1. Ten 6" Fresnels=$85
  2. Eight Source 4 PARs=$130
With this, you can light your small sized stage.



Although I use these two companies often, here are some other rental companies I know and work with:



Comments? Email cortheatro@live.com

Friday, February 25, 2011

Flying People a Risky Business

Flying people can be a huge increase in perceived production value. If you're doing Peter Pan and you'd like to fly about like Mary Martin, it may seem tempting to use some climbing gear and a pulley.

Perhaps you're performing an Easter play, and you'd like to have Jesus rise to the rafters of your theatre with some wires.

These effects are neat, but you should never attempt them on your own.

Flying people is a risky business. It requires a lot of safety discussions, hours of labor, and a lot of special precautions.

Many people try to use climbing gear to fly people.

Climbing gear is not the same as flying gear.

Harnesses are designed for different uses, and have different balance points. Using a climbing harness for a flying effect can result in an actor hanging upside down, unable to move, or out of control.

The only way to safely perform flying effects is with a professional company.


All of the above companies are professionals with a lot of experience. They will come in, examine the venue, design a system that works for the effect desired and fits the venue, and train all the technicians and actors that will be using it.

They are great to work with, and although a little pricey, it is priceless knowing that everything is being done safe.

There are so many things that can go wrong when you try to fly someone using a climbing harness and a pulley. The system has to be safely attached to something, a grid, or truss, with multiple balance points, and other safety lines.

You should never attempt to fly a person without calling in the professionals.


Hugh Jackman Injured while Flying
Spider Man Injures while Flying
Peter Pan Flight School

Thursday, February 24, 2011

Cor Theatro

What is Cor Theatro?


Cor Theatro is a blog about all things theatre. From onstage to behind the scenes, acting, performing, and technical work, Cor Theatro is here to bring you fun and informational posts on all things theatre related.

How can I get involved?
Interested in becoming a part of Cor Theatro? Perhaps you're a theatre technician in the professional, amateur, or school world. Or maybe you're an aspiring actor, or a professional performer. If you want to become a part of the team, and be able to write about your experiences in onstage or technical theatre here at Cor Theatro, send and email to cortheatro@live.com